Wasting My Time - Live Remix
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2012
- Album
- Upfront with Zakes Bantwini
- Genre
- Deep House
- Loudness
- -5.8 dB
- Dynamics
- 14.4 dB
- ISRC
- ZAZ641200005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wasting My Timeoriginal1B · 125
- Wasting My Time - Abicah Soul Remixremix11A · 125
- Wasting My Time (Abicah Soul)original3B · 125
- Wasting My Time (Black Coffee Original Mix)original1B · 125
- Wasting My Time (Dan Ghenacia Dub)version10A · 186
- Wasting My Time (Dan Ghenacia Remix - The Martinez Brothers Edit)remix9B · 124
Against the original (1B at 125 BPM), this version holds the same tempo and moves the key from 1B to 12A.
Wasting My Time - Live Remix runs 125 BPM in D♭ minor (12A), a club-tempo deep house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Zakes Bantwini's catalogue.
- Energy:
- hotter than 94% of Zakes Bantwini's catalogue
- Groove:
- less groove-driven than 79% of Zakes Bantwini's catalogue
- Low end:
- more treble-tilted than 76% of Zakes Bantwini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Wasting My Time - Live Remix in?
Wasting My Time - Live Remix by Zakes Bantwini is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Wasting My Time - Live Remix?
Wasting My Time - Live Remix runs at 125 BPM, a club-tempo track.
What mixes well with Wasting My Time - Live Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Wasting My Time - Live Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Zakes Bantwini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![All Night Long [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
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