Just Wanna Be With U (King Street Mentality club)
- BPM
- 123
- Open Key
- 4d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 4:32
- Released
- 1994
- Genre
- Deep House
- Loudness
- -6.6 dB
- ISRC
- USA670602448
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Just Wanna Be With U (King Street Mentality club) sits in A major (11B) at 123 BPM. It reads as dark and driving. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. A 1994 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 96% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
- Groove:
- groovier than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Just Wanna Be With U (King Street Mentality club) in?
Just Wanna Be With U (King Street Mentality club) by Kerri Chandler is in A major, or 11B on the Camelot wheel.
What BPM is Just Wanna Be With U (King Street Mentality club)?
Just Wanna Be With U (King Street Mentality club) runs at 123 BPM, a club-tempo track.
What mixes well with Just Wanna Be With U (King Street Mentality club)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Just Wanna Be With U (King Street Mentality club) good for peak time?
With energy 83 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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