Real Low - Radio Edit by Biscits cover art

Real Low - Radio Edit

Biscits

Key
2B · F♯ major
BPM
123
Open Key
7d
Energy
82/100
Pop
0/100
Length
3:09
Released
2016
Album
Real Low
Genre
Tech House
Loudness
-7.2 dB
ISRC
GBLFP1645809

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 122 BPM), this version runs 1 BPM faster and moves the key from 10A to 2B.

At 123 BPM in F♯ major (2B), Real Low - Radio Edit is a club-tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Biscits's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 95% of Biscits's catalogue
Brightness:
darker than 90% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood31Dark
Groove80
Acoustic0
Instrumental84
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Real Low - Radio Edit in?

Real Low - Radio Edit by Biscits is in F♯ major, or 2B on the Camelot wheel.

What BPM is Real Low - Radio Edit?

Real Low - Radio Edit runs at 123 BPM, a club-tempo track.

What mixes well with Real Low - Radio Edit?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Real Low - Radio Edit good for peak time?

With energy 82 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Biscits

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track