Gegen Den Strom (club edit)
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 9:25
- Released
- 2011
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 14.2 dB
- ISRC
- DECH61100374
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Gegen Den Strom (club edit) sits in C major (8B) at 123 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Marc DePulse's catalogue.
- Low end:
- more treble-tilted than 98% of Marc DePulse's catalogue
- Brightness:
- darker than 86% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Gegen Den Strom (club edit) in?
Gegen Den Strom (club edit) by Marc DePulse is in C major, or 8B on the Camelot wheel.
What BPM is Gegen Den Strom (club edit)?
Gegen Den Strom (club edit) runs at 123 BPM, a club-tempo track.
What mixes well with Gegen Den Strom (club edit)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Gegen Den Strom (club edit) good for peak time?
With energy 83 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
