Cosmic Arena - Original Mix
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 84/100
- Pop
- 6/100
- Length
- 6:19
- Released
- 2014
- Album
- Anahata EP
- Genre
- Tech House
- Loudness
- -9.1 dB
- Dynamics
- 9.3 dB
- ISRC
- GBENT0154033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Cosmic Arena - Original Mix sits in F♯ major (2B) at 123 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Slower than 98% of PAWSA's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 89% of PAWSA's catalogue
- Reach:
- more underground than 85% of PAWSA's catalogue
- Brightness:
- darker than 76% of PAWSA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Cosmic Arena - Original Mix in?
Cosmic Arena - Original Mix by PAWSA is in F♯ major, or 2B on the Camelot wheel.
What BPM is Cosmic Arena - Original Mix?
Cosmic Arena - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Cosmic Arena - Original Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Cosmic Arena - Original Mix good for peak time?
With energy 84 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from PAWSA
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
