Free at Last - Kerri Chandler Remix by Kerri Chandler cover art

Free at Last - Kerri Chandler Remix

Kerri Chandler

Key
5A · C minor
BPM
124
Open Key
10m
Energy
59/100
Pop
0/100
Length
7:18
Released
2011
Album
Kerri Chandler: The Remixes
Genre
Deep House
Loudness
-8.6 dB
ISRC
GBBXG1120050

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Free at Last - Kerri Chandler Remix runs 124 BPM in C minor (5A), a club-tempo deep house record. It reads as bright and easy. The groove is strong and floor-ready. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 92% of Kerri Chandler's catalogue
Energy:
calmer than 88% of Kerri Chandler's catalogue
Tempo:
slower than 75% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood89Bright
Groove78
Acoustic0
Instrumental11
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Free at Last - Kerri Chandler Remix in?

Free at Last - Kerri Chandler Remix by Kerri Chandler is in C minor, or 5A on the Camelot wheel.

What BPM is Free at Last - Kerri Chandler Remix?

Free at Last - Kerri Chandler Remix runs at 124 BPM, a club-tempo track.

What mixes well with Free at Last - Kerri Chandler Remix?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Free at Last - Kerri Chandler Remix good for peak time?

With energy 59 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 124 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More deep house

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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