![It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6d5b93c6d9730393ae91.webp)
It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix]
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 15/100
- Length
- 5:56
- Released
- 2022
- Album
- Expansions In The NYC
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 11.4 dB
- ISRC
- USNRS2241786
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] sits in E minor (9A) at 124 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 89% of Louie Vega's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 85% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] in?
It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] by Louie Vega is in E minor, or 9A on the Camelot wheel.
What BPM is It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix]?
It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] runs at 124 BPM, a club-tempo track.
What mixes well with It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix]?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is It's All Good (feat. Debbie Winans Lowe & Korean Soul) - [Louie Vega Remix] good for peak time?
With energy 59 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Midnight (The Hanging Tree) - (Henrik Schwarz Remix) [Extended] by Henrik Schwarz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1856fde9753e5da2a8f0.webp){kind=small}
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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