For The Next X=1 To 1000
30s preview
- Key
- 7B · F major
- BPM
- 126
- Open Key
- 12d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2008
- Genre
- Deep House
- Loudness
- -11.0 dB
- Dynamics
- 12.4 dB
- ISRC
- DEBL60942968
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in F major (7B), For The Next X=1 To 1000 is a club-tempo deep house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is For The Next X=1 To 1000 in?
For The Next X=1 To 1000 by Kerri Chandler is in F major, or 7B on the Camelot wheel.
What BPM is For The Next X=1 To 1000?
For The Next X=1 To 1000 runs at 126 BPM, a club-tempo track.
What mixes well with For The Next X=1 To 1000?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is For The Next X=1 To 1000 good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 126 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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