Backflash - Niko Schwind Remix by Kellerkind cover art

Backflash - Niko Schwind Remix

Kellerkind

30s preview

Key
2A · E♭ minor
BPM
120
Open Key
7m
Energy
42/100
Pop
0/100
Length
6:30
Released
2012
Album
Backflash
Genre
Tech House
Label
Stil Vor Talent
Loudness
-10.1 dB
Dynamics
13.6 dB
ISRC
DEKN60900361

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 120 BPM), this version holds the same tempo and moves the key from 11B to 2A.

Backflash - Niko Schwind Remix: club-tempo tech house, E♭ minor (2A), 120 BPM. It reads as balanced in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Kellerkind's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 94% of Kellerkind's catalogue
Groove:
groovier than 88% of Kellerkind's catalogue
Tempo:
slower than 83% of Kellerkind's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood51Balanced
Groove87
Acoustic0
Instrumental63
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Backflash - Niko Schwind Remix in?

Backflash - Niko Schwind Remix by Kellerkind is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Backflash - Niko Schwind Remix?

Backflash - Niko Schwind Remix runs at 120 BPM, a club-tempo track.

What mixes well with Backflash - Niko Schwind Remix?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Backflash - Niko Schwind Remix good for peak time?

With energy 42 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

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More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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