Ain't Nobody - Atapy Remix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 43/100
- Pop
- 22/100
- Length
- 6:56
- Released
- 2012
- Album
- Ain't Nobody EP
- Genre
- House
- Label
- Hive Audio
- Loudness
- -10.1 dB
- Dynamics
- 11.6 dB
- ISRC
- DEBW60559048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain't Nobodyoriginal8B · 122
Against the original (8B at 122 BPM), this version runs 2 BPM slower and moves the key from 8B to 8A.
At 120 BPM in A minor (8A), Ain't Nobody - Atapy Remix is a club-tempo house production. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Groovier than 99% of Adriatique's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 93% of Adriatique's catalogue
- Brightness:
- brighter than 93% of Adriatique's catalogue
- Tempo:
- slower than 91% of Adriatique's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Ain't Nobody - Atapy Remix in?
Ain't Nobody - Atapy Remix by Adriatique is in A minor, or 8A on the Camelot wheel.
What BPM is Ain't Nobody - Atapy Remix?
Ain't Nobody - Atapy Remix runs at 120 BPM, a club-tempo track.
What mixes well with Ain't Nobody - Atapy Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Ain't Nobody - Atapy Remix good for peak time?
With energy 43 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Adriatique
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
