Stay Out All Night
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 66/100
- Pop
- 7/100
- Length
- 10:02
- Released
- 2009
- Genre
- Tech House
- Label
- Ovum Recordings
- Loudness
- -12.2 dB
- Dynamics
- 13.7 dB
- ISRC
- US4LK0990079
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Stay Out All Night sits in G major (9B) at 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. Better known than 84% of Josh Wink's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 81% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stay Out All Night in?
Stay Out All Night by Josh Wink is in G major, or 9B on the Camelot wheel.
What BPM is Stay Out All Night?
Stay Out All Night runs at 126 BPM, a club-tempo track.
What mixes well with Stay Out All Night?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Stay Out All Night good for peak time?
With energy 66 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
