No Bad Days - High Contrast Remix
30s preview
- Key
- 9B · G major
- BPM
- 173
- Half-time
- 87
- Open Key
- 2d
- Energy
- 88/100
- Pop
- 21/100
- Length
- 4:00
- Released
- 2021
- Album
- No Bad Days (High Contrast Remix)
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 11.4 dB
- ISRC
- GBUM72108520
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in G major (9B), No Bad Days - High Contrast Remix is a drum n bass production. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 87% of High Contrast's catalogue. For programming, treat it as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is No Bad Days - High Contrast Remix in?
No Bad Days - High Contrast Remix by High Contrast is in G major, or 9B on the Camelot wheel.
What BPM is No Bad Days - High Contrast Remix?
No Bad Days - High Contrast Remix runs at 173 BPM.
What mixes well with No Bad Days - High Contrast Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is No Bad Days - High Contrast Remix good for peak time?
With energy 88 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 173 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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