
The Other Side
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 20/100
- Length
- 5:44
- Released
- 2004
- Genre
- Drum N Bass
- Loudness
- -6.5 dB
- Dynamics
- 17.1 dB
- ISRC
- GBZSD0400010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, The Other Side sits in D♭ major (3B) at 173 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The timbre leans bright. The master keeps unusual dynamic range for club music (crest 17 dB). A 2004 production that still circulates in sets. Brighter than 89% of High Contrast's catalogue.
- Reach:
- better known than 85% of High Contrast's catalogue
- Low end:
- more treble-tilted than 75% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is The Other Side in?
The Other Side by High Contrast is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Other Side?
The Other Side runs at 173 BPM.
What mixes well with The Other Side?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Other Side good for peak time?
With energy 89 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 173 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.