Behind Time
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 9/100
- Length
- 6:30
- Released
- 2010
- Genre
- Drum N Bass
- Loudness
- -4.1 dB
- Dynamics
- 11.1 dB
- ISRC
- GBPWR1000108
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in B♭ minor (3A), Behind Time is a drum n bass production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. Hotter than 80% of Alix Perez's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 76% of Alix Perez's catalogue
- Brightness:
- brighter than 76% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Behind Time in?
Behind Time by Alix Perez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Behind Time?
Behind Time runs at 173 BPM.
What mixes well with Behind Time?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Behind Time good for peak time?
With energy 89 out of 100 at 173 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 173 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.