The Shadow (Process mix edit)
- BPM
- 105
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:43
- Released
- 1997
- Genre
- Drum N Bass
- Loudness
- -8.6 dB
- ISRC
- GBAGN9700044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 105 BPM in D♭ major (3B), The Shadow (Process mix edit) is a mid-tempo drum n bass production. A 1997 production that still circulates in sets. More underground than 99% of Goldie's catalogue.
- Brightness:
- brighter than 96% of Goldie's catalogue
- Tempo:
- slower than 90% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Shadow (Process mix edit) in?
The Shadow (Process mix edit) by Goldie is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Shadow (Process mix edit)?
The Shadow (Process mix edit) runs at 105 BPM, a mid-tempo track.
What mixes well with The Shadow (Process mix edit)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Shadow (Process mix edit) good for peak time?
With energy 94 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 105 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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