She Moves She - Live in Copenhagen by Four Tet cover art

She Moves She - Live in Copenhagen

Four Tet

30s preview

Key
8A · A minor
BPM
114
Open Key
1m
Energy
83/100
Pop
0/100
Length
10:32
Released
2003
Album
Rounds (Special Anniversary Edition)
Genre
Downtempo
Loudness
-12.6 dB
Dynamics
15.4 dB
ISRC
GBCEL1200582

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 114 BPM), this version holds the same tempo in the same key.

At 114 BPM in A minor (8A), She Moves She - Live in Copenhagen is a mid-tempo downtempo production. It reads as dark and driving. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2003 production that still circulates in sets. More underground than 99% of Four Tet's catalogue. For programming, treat it as a mid-set roller.

Low end:
more treble-tilted than 88% of Four Tet's catalogue
Energy:
hotter than 84% of Four Tet's catalogue
Tempo:
slower than 75% of Four Tet's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood18Dark
Groove53
Acoustic22
Instrumental3
Live43
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is She Moves She - Live in Copenhagen in?

She Moves She - Live in Copenhagen by Four Tet is in A minor, or 8A on the Camelot wheel.

What BPM is She Moves She - Live in Copenhagen?

She Moves She - Live in Copenhagen runs at 114 BPM, a mid-tempo track.

What mixes well with She Moves She - Live in Copenhagen?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is She Moves She - Live in Copenhagen good for peak time?

With energy 83 out of 100 at 114 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 114 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

More downtempo

More from Four Tet

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track