She Moves She
30s preview
- Key
- 8A · A minor
- BPM
- 114
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:42
- Released
- 2003
- Album
- Rounds
- Genre
- Downtempo
- Loudness
- -3.7 dB
- Dynamics
- 13.7 dB
- ISRC
- GBCEL0300059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She Moves She - Live in Copenhagenoriginal8A · 114
At 114 BPM in A minor (8A), She Moves She is a mid-tempo downtempo production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. Hotter than 99% of Four Tet's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Four Tet's catalogue
- Groove:
- groovier than 84% of Four Tet's catalogue
- Tempo:
- slower than 75% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is She Moves She in?
She Moves She by Four Tet is in A minor, or 8A on the Camelot wheel.
What BPM is She Moves She?
She Moves She runs at 114 BPM, a mid-tempo track.
What mixes well with She Moves She?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is She Moves She good for peak time?
With energy 94 out of 100 at 114 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 114 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
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More downtempo
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
