Nothing to See
- BPM
- 123
- Open Key
- 8d
- Energy
- 77/100
- Pop
- 5/100
- Length
- 8:49
- Released
- 2016
- Genre
- House
- Label
- Soul Jazz Records
- Loudness
- -11.3 dB
- ISRC
- GBBCK1000002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Nothing to See sits in D♭ major (3B) at 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Groovier than 78% of Four Tet's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 77% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Nothing to See in?
Nothing to See by Four Tet is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nothing to See?
Nothing to See runs at 123 BPM, a club-tempo track.
What mixes well with Nothing to See?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nothing to See good for peak time?
With energy 77 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
