Just One More - Dub Mix
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 5:53
- Released
- 2012
- Album
- Just One More
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -7.6 dB
- Dynamics
- 11.5 dB
- ISRC
- GBEWA1200582
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Just One More - Martin Roth Remixremix9A · 122
- Just One Moreoriginal8A · 125
- Just One More - MANIK Remixremix9A · 121
- Just One More - Radio Editversion8A · 123
- Just One More (feat. Pete Josef)original8A · 123
Against the original (8A at 125 BPM), this version runs 2 BPM slower and moves the key from 8A to 10B.
Just One More - Dub Mix is a club-tempo progressive house track in D major (10B) at 123 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Jody Wisternoff's catalogue.
- Brightness:
- brighter than 98% of Jody Wisternoff's catalogue
- Groove:
- groovier than 94% of Jody Wisternoff's catalogue
- Low end:
- more bass-heavy than 81% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Just One More - Dub Mix in?
Just One More - Dub Mix by Jody Wisternoff is in D major, or 10B on the Camelot wheel.
What BPM is Just One More - Dub Mix?
Just One More - Dub Mix runs at 123 BPM, a club-tempo track.
What mixes well with Just One More - Dub Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Just One More - Dub Mix good for peak time?
With energy 77 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
