Keep On - Tim Engelhardt Remix B
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2019
- Album
- Keep On (Tim Engelhardt Remixes)
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 10.2 dB
- ISRC
- DEL021920031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep On - Tim Engelhardt Remix Aremix8B · 123
Keep On - Tim Engelhardt Remix B runs 123 BPM in B♭ minor (3A), a club-tempo tech house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 76% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Keep On - Tim Engelhardt Remix B in?
Keep On - Tim Engelhardt Remix B by Tim Engelhardt is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Keep On - Tim Engelhardt Remix B?
Keep On - Tim Engelhardt Remix B runs at 123 BPM, a club-tempo track.
What mixes well with Keep On - Tim Engelhardt Remix B?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Keep On - Tim Engelhardt Remix B good for peak time?
With energy 76 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
