TLOK by Fatima Hajji cover art

30s preview

Key
2B · F♯ major
BPM
127
Open Key
7d
Energy
86/100
Pop
0/100
Length
6:05
Released
2017
Album
Silence EP
Genre
Techno
Loudness
-8.9 dB
Dynamics
10.9 dB
ISRC
GBKQU1700581

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

TLOK runs 127 BPM in F♯ major (2B), a peak-time tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Fatima Hajji's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 97% of Fatima Hajji's catalogue
Brightness:
brighter than 96% of Fatima Hajji's catalogue
Energy:
calmer than 94% of Fatima Hajji's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood61Balanced
Groove86
Acoustic0
Instrumental60
Live21
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is TLOK in?

TLOK by Fatima Hajji is in F♯ major, or 2B on the Camelot wheel.

What BPM is TLOK?

TLOK runs at 127 BPM, a peak-time tempo track.

What mixes well with TLOK?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is TLOK good for peak time?

With energy 86 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

More from Fatima Hajji

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track