UR in Control - ZHM Instrumental Mix by Ezel cover art

UR in Control - ZHM Instrumental Mix

Ezel

30s preview

Key
12A · D♭ minor
BPM
123
Open Key
5m
Energy
60/100
Pop
0/100
Length
7:37
Released
2024
Album
UR in Control (Tommy Musto Mixes)
Genre
Deep House
Loudness
-11.7 dB
Dynamics
11.7 dB
ISRC
GBKQU2450147

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 124 BPM), this version runs 1 BPM slower and moves the key from 1A to 12A.

A club-tempo deep house cut, UR in Control - ZHM Instrumental Mix sits in D♭ minor (12A) at 123 BPM. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Ezel's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 86% of Ezel's catalogue
Low end:
more bass-heavy than 80% of Ezel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood78Bright
Groove75
Acoustic0
Instrumental89
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is UR in Control - ZHM Instrumental Mix in?

UR in Control - ZHM Instrumental Mix by Ezel is in D♭ minor, or 12A on the Camelot wheel.

What BPM is UR in Control - ZHM Instrumental Mix?

UR in Control - ZHM Instrumental Mix runs at 123 BPM, a club-tempo track.

What mixes well with UR in Control - ZHM Instrumental Mix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is UR in Control - ZHM Instrumental Mix good for peak time?

With energy 60 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Ezel

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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