UR in Control - ZHM Radio Edit
30s preview
- BPM
- 123
- Open Key
- 4d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 4:29
- Released
- 2024
- Album
- UR in Control (Tommy Musto Mixes)
- Genre
- Deep House
- Loudness
- -8.9 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKQU2450149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- UR in Control - Groove Junkies & Deep Soul Syndicate Sure Is Bliss Mixoriginal1A · 124
- UR in Control - Groove Junkies & Deep Soul Syndicate Sure is Bliss Instrumentaloriginal1A · 124
- UR in Control - Groove Junkies & Deep Soul Syndicate Sure is Bliss radio editversion1A · 124
- UR in Control - ZHM Dub Mixversion11B · 123
- UR in Control - ZHM Instrumental Mixoriginal12A · 123
- UR in Control - ZHM Vocal Mixoriginal12A · 123
Against the original (1A at 124 BPM), this version runs 1 BPM slower and moves the key from 1A to 11B.
At 123 BPM in A major (11B), UR in Control - ZHM Radio Edit is a club-tempo deep house production. Tonally it lands bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Ezel's catalogue. In a set it works best as a floor-filler.
- Groove:
- less groove-driven than 82% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is UR in Control - ZHM Radio Edit in?
UR in Control - ZHM Radio Edit by Ezel is in A major, or 11B on the Camelot wheel.
What BPM is UR in Control - ZHM Radio Edit?
UR in Control - ZHM Radio Edit runs at 123 BPM, a club-tempo track.
What mixes well with UR in Control - ZHM Radio Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is UR in Control - ZHM Radio Edit good for peak time?
With energy 82 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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