You Should Be Dancing - Luke Solomon Remix
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 81/100
- Pop
- 3/100
- Length
- 7:35
- Released
- 2016
- Album
- You Should Be Dancing Remixed
- Genre
- House
- Loudness
- -11.1 dB
- Dynamics
- 10.5 dB
- ISRC
- US5X21609701
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Should Be Dancing - Original Mixoriginal11B · 124
- You Should Be Dancing - Chris Stussy Remixremix8B · 123
- You Should Be Dancing - Acapellaoriginal2A · 109
- You Should Be Dancing - Till Von Sein & Tigerskin No Standing Remixremix9B · 124
Against the original (11B at 124 BPM), this version runs 1 BPM slower and moves the key from 11B to 3B.
You Should Be Dancing - Luke Solomon Remix is a club-tempo house track in D♭ major (3B) at 123 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Less groove-driven than 85% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is You Should Be Dancing - Luke Solomon Remix in?
You Should Be Dancing - Luke Solomon Remix by Mark Farina is in D♭ major, or 3B on the Camelot wheel.
What BPM is You Should Be Dancing - Luke Solomon Remix?
You Should Be Dancing - Luke Solomon Remix runs at 123 BPM, a club-tempo track.
What mixes well with You Should Be Dancing - Luke Solomon Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is You Should Be Dancing - Luke Solomon Remix good for peak time?
With energy 81 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![The Morning Heat [La Grange] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
More house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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