You Should Be Dancing - Chris Stussy Remix
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 80/100
- Pop
- 2/100
- Length
- 6:18
- Released
- 2016
- Album
- You Should Be Dancing Remixed
- Genre
- House
- Loudness
- -8.3 dB
- Dynamics
- 11.6 dB
- ISRC
- US5X21609703
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Should Be Dancing - Luke Solomon Remixremix3B · 123
- You Should Be Dancing - Original Mixoriginal11B · 124
- You Should Be Dancing - Acapellaoriginal2A · 109
- You Should Be Dancing - Till Von Sein & Tigerskin No Standing Remixremix9B · 124
Against the original (11B at 124 BPM), this version runs 1 BPM slower and moves the key from 11B to 8B.
You Should Be Dancing - Chris Stussy Remix runs 123 BPM in C major (8B), a club-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is You Should Be Dancing - Chris Stussy Remix in?
You Should Be Dancing - Chris Stussy Remix by Mark Farina is in C major, or 8B on the Camelot wheel.
What BPM is You Should Be Dancing - Chris Stussy Remix?
You Should Be Dancing - Chris Stussy Remix runs at 123 BPM, a club-tempo track.
What mixes well with You Should Be Dancing - Chris Stussy Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You Should Be Dancing - Chris Stussy Remix good for peak time?
With energy 80 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
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How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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