Talkin' Bout The Spirit - MAW Lost Tape Mix
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 60/100
- Pop
- 6/100
- Length
- 7:05
- Released
- 2023
- Album
- MAW Lost Tapes 9
- Genre
- House
- Loudness
- -10.6 dB
- Dynamics
- 11.8 dB
- ISRC
- GBKQU2385056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Talkin' Bout The Spirit - MAW Lost Tape Mix is a club-tempo house track in B minor (10A) at 123 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 90% of Masters At Work's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 85% of Masters At Work's catalogue
- Tempo:
- slower than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Talkin' Bout The Spirit - MAW Lost Tape Mix in?
Talkin' Bout The Spirit - MAW Lost Tape Mix by Masters At Work is in B minor, or 10A on the Camelot wheel.
What BPM is Talkin' Bout The Spirit - MAW Lost Tape Mix?
Talkin' Bout The Spirit - MAW Lost Tape Mix runs at 123 BPM, a club-tempo track.
What mixes well with Talkin' Bout The Spirit - MAW Lost Tape Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Talkin' Bout The Spirit - MAW Lost Tape Mix good for peak time?
With energy 60 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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