Falling - Louie Vega Radio Edit
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2013
- Album
- Falling
- Genre
- House
- Loudness
- -11.4 dB
- Dynamics
- 10.7 dB
- ISRC
- GB2GW0900352
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Falling - Louie Vega Eol Remixremix10A · 123
- Falling - Roots NYC Instrumental Mixoriginal10A · 123
- Falling - Roots NYC Mixoriginal10A · 123
- Falling - Vega Beat DJ Tooloriginal10A · 123
- Falling (feat. Louie Vega) - Quintero Eol Beatsoriginal10A · 123
- Falling (feat. Louie Vega) - Ritual Remix Instrumentalremix10A · 123
Against the original (10A at 123 BPM), this version holds the same tempo and moves the key from 10A to 2B.
A club-tempo house cut, Falling - Louie Vega Radio Edit sits in F♯ major (2B) at 123 BPM. Tonally it lands bright and easy. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 88% of Louie Vega's catalogue
- Energy:
- calmer than 84% of Louie Vega's catalogue
- Tempo:
- slower than 80% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Falling - Louie Vega Radio Edit in?
Falling - Louie Vega Radio Edit by Louie Vega is in F♯ major, or 2B on the Camelot wheel.
What BPM is Falling - Louie Vega Radio Edit?
Falling - Louie Vega Radio Edit runs at 123 BPM, a club-tempo track.
What mixes well with Falling - Louie Vega Radio Edit?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Falling - Louie Vega Radio Edit good for peak time?
With energy 59 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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