Let Go - Radio Mix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 74/100
- Pop
- 3/100
- Length
- 4:37
- Released
- 2018
- Album
- Let Go
- Genre
- Deep House
- Loudness
- -7.2 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKQU1817016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let Gooriginal8A · 120
- Let Go - Instrumental Mixoriginal8A · 120
Against the original (8A at 120 BPM), this version holds the same tempo in the same key.
A club-tempo deep house cut, Let Go - Radio Mix sits in A minor (8A) at 120 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Slower than 96% of Ezel's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 89% of Ezel's catalogue
- Brightness:
- darker than 87% of Ezel's catalogue
- Reach:
- better known than 77% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Let Go - Radio Mix in?
Let Go - Radio Mix by Ezel is in A minor, or 8A on the Camelot wheel.
What BPM is Let Go - Radio Mix?
Let Go - Radio Mix runs at 120 BPM, a club-tempo track.
What mixes well with Let Go - Radio Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Let Go - Radio Mix good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Ezel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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