Mistakes I've Made (Radio Edit)
- Key
- 6A · G minor
- BPM
- 120
- Open Key
- 11m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 6:33
- Released
- 2014
- Genre
- Progressive House
- Loudness
- -8.9 dB
- ISRC
- NLZ541400858
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Mistakes I've Made (Radio Edit) sits in G minor (6A) at 120 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue.
- Groove:
- groovier than 98% of Eelke Kleijn's catalogue
- Brightness:
- brighter than 87% of Eelke Kleijn's catalogue
- Tempo:
- slower than 85% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mistakes I've Made (Radio Edit) in?
Mistakes I've Made (Radio Edit) by Eelke Kleijn is in G minor, or 6A on the Camelot wheel.
What BPM is Mistakes I've Made (Radio Edit)?
Mistakes I've Made (Radio Edit) runs at 120 BPM, a club-tempo track.
What mixes well with Mistakes I've Made (Radio Edit)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Mistakes I've Made (Radio Edit) good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 120 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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