Violet Whizzle
30s preview
- Key
- 6A · G minor
- BPM
- 120
- Open Key
- 11m
- Energy
- 73/100
- Pop
- 3/100
- Length
- 7:40
- Released
- 2014
- Genre
- Tech House
- Loudness
- -9.3 dB
- Dynamics
- 10.2 dB
- ISRC
- DESH41300159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Violet Whizzle runs 120 BPM in G minor (6A), a club-tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Brighter than 97% of Einmusik's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 96% of Einmusik's catalogue
- Groove:
- groovier than 78% of Einmusik's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Violet Whizzle in?
Violet Whizzle by Einmusik is in G minor, or 6A on the Camelot wheel.
What BPM is Violet Whizzle?
Violet Whizzle runs at 120 BPM, a club-tempo track.
What mixes well with Violet Whizzle?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Violet Whizzle good for peak time?
With energy 73 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Boy Boy Boy - MK Remix [Radio Edit] by Andhim cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0abff33e78e2e138d2e0.webp){kind=small}
How to mix it
In 6A at 120 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Einmusik
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
