Let's Get It - Yass Dub Mix
30s preview
- Key
- 1B · B major
- BPM
- 124
- Open Key
- 6d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2014
- Album
- Let's Get It (The Remixes)
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 11.9 dB
- ISRC
- QMPTP1400002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let's Get It - Ezel Afro Karib Dubversion9B · 123
- Let's Get It - Yass Remixremix3B · 124
- Let's Get It - David Montoya Remixremix4A · 123
- Let's Get It - Ndinga Gaba Dub Mixversion4A · 123
- Let's Get It - Ndinga Gaba Remixremix6A · 123
- Let's Get It - Original Mixoriginal4A · 123
Against the original (4A at 123 BPM), this version runs 1 BPM faster and moves the key from 4A to 1B.
A club-tempo house cut, Let's Get It - Yass Dub Mix sits in B major (1B) at 124 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Djeff's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 93% of Djeff's catalogue
- Groove:
- groovier than 86% of Djeff's catalogue
- Low end:
- more treble-tilted than 76% of Djeff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Let's Get It - Yass Dub Mix in?
Let's Get It - Yass Dub Mix by Djeff is in B major, or 1B on the Camelot wheel.
What BPM is Let's Get It - Yass Dub Mix?
Let's Get It - Yass Dub Mix runs at 124 BPM, a club-tempo track.
What mixes well with Let's Get It - Yass Dub Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Let's Get It - Yass Dub Mix good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
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How to mix it
In 1B at 124 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Djeff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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