Let's Get It - Yass Remix
- BPM
- 124
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 1/100
- Length
- 7:52
- Released
- 2014
- Album
- Let's Get It (The Remixes)
- Genre
- House
- Loudness
- -6.7 dB
- ISRC
- QMPTP1400001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let's Get It - Ezel Afro Karib Dubversion9B · 123
- Let's Get It - David Montoya Remixremix4A · 123
- Let's Get It - Ndinga Gaba Dub Mixversion4A · 123
- Let's Get It - Ndinga Gaba Remixremix6A · 123
- Let's Get It - Yass Dub Mixversion1B · 124
- Let's Get It - Original Mixoriginal4A · 123
Against the original (4A at 123 BPM), this version runs 1 BPM faster and moves the key from 4A to 3B.
At 124 BPM in D♭ major (3B), Let's Get It - Yass Remix is a club-tempo house production. The feel is bright and euphoric. It is vocal-led. A 2014 production that still circulates in sets. Hotter than 91% of Djeff's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 80% of Djeff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Let's Get It - Yass Remix in?
Let's Get It - Yass Remix by Djeff is in D♭ major, or 3B on the Camelot wheel.
What BPM is Let's Get It - Yass Remix?
Let's Get It - Yass Remix runs at 124 BPM, a club-tempo track.
What mixes well with Let's Get It - Yass Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Let's Get It - Yass Remix good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Djeff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.