Two Three One (Extended Mix)
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:29
- Released
- 2017
- Genre
- Tech House
- Loudness
- -5.6 dB
- Dynamics
- 10.9 dB
- ISRC
- GBPQS1700217
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Two Three One (Extended Mix): club-tempo tech house, D♭ major (3B), 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Danny Howard's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 95% of Danny Howard's catalogue
- Tempo:
- slower than 86% of Danny Howard's catalogue
- Brightness:
- brighter than 82% of Danny Howard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Two Three One (Extended Mix) in?
Two Three One (Extended Mix) by Danny Howard is in D♭ major, or 3B on the Camelot wheel.
What BPM is Two Three One (Extended Mix)?
Two Three One (Extended Mix) runs at 124 BPM, a club-tempo track.
What mixes well with Two Three One (Extended Mix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Two Three One (Extended Mix) good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Danny Howard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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