Evil Agenda
- BPM
- 122
- Open Key
- 11d
- Energy
- 33/100
- Pop
- 2/100
- Length
- 1:23
- Released
- 2012
- Genre
- Breakbeat
- Loudness
- -18.2 dB
- ISRC
- NLL562111093
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Evil Agenda runs 122 BPM in B♭ major (6B), a club-tempo breakbeat record. It is vocal-led. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Calmer than 99% of DJ Stingray 313's catalogue.
- Groove:
- less groove-driven than 99% of DJ Stingray 313's catalogue
- Tempo:
- slower than 81% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Evil Agenda in?
Evil Agenda by DJ Stingray 313 is in B♭ major, or 6B on the Camelot wheel.
What BPM is Evil Agenda?
Evil Agenda runs at 122 BPM, a club-tempo track.
What mixes well with Evil Agenda?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Evil Agenda good for peak time?
With energy 33 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 122 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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