Burning (Junk Mail remix)
30s preview
- Key
- 6A · G minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 11m
- Energy
- 93/100
- Pop
- 7/100
- Length
- 3:59
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- 0.0 dB
- Dynamics
- 9.7 dB
- ISRC
- GB5KW2101218
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Burning (Junk Mail remix) is a drum n bass track in G minor (6A) at 174 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Slower than 86% of DC Breaks's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 85% of DC Breaks's catalogue
- Reach:
- better known than 76% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Burning (Junk Mail remix) in?
Burning (Junk Mail remix) by DC Breaks is in G minor, or 6A on the Camelot wheel.
What BPM is Burning (Junk Mail remix)?
Burning (Junk Mail remix) runs at 174 BPM.
What mixes well with Burning (Junk Mail remix)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Burning (Junk Mail remix) good for peak time?
With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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