The Time Is Now - Danny Howard Remix Edit by Danny Howard cover art

The Time Is Now - Danny Howard Remix Edit

Danny Howard

Key
1A · A♭ minor
BPM
128
Open Key
6m
Energy
97/100
Pop
5/100
Length
3:09
Released
2020
Album
The Time Is Now (Danny Howard Remix Edit)
Genre
Tech House
Loudness
-3.4 dB
ISRC
CH3132000459

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo tech house cut, The Time Is Now - Danny Howard Remix Edit sits in A♭ minor (1A) at 128 BPM. The feel is bright and euphoric. The master is loud and heavily compressed. Brighter than 95% of Danny Howard's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 79% of Danny Howard's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood95Bright
Groove66
Acoustic4
Instrumental23
Live5
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Time Is Now - Danny Howard Remix Edit in?

The Time Is Now - Danny Howard Remix Edit by Danny Howard is in A♭ minor, or 1A on the Camelot wheel.

What BPM is The Time Is Now - Danny Howard Remix Edit?

The Time Is Now - Danny Howard Remix Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with The Time Is Now - Danny Howard Remix Edit?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is The Time Is Now - Danny Howard Remix Edit good for peak time?

With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Danny Howard

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.