Never Really Get There
- BPM
- 111
- Open Key
- 7d
- Energy
- 82/100
- Pop
- 12/100
- Length
- 5:45
- Released
- 2020
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -6.4 dB
- ISRC
- GBEWA2406643
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo deep house cut, Never Really Get There sits in F♯ major (2B) at 111 BPM. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 89% of CRi's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 82% of CRi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Never Really Get There in?
Never Really Get There by CRi is in F♯ major, or 2B on the Camelot wheel.
What BPM is Never Really Get There?
Never Really Get There runs at 111 BPM, a mid-tempo track.
What mixes well with Never Really Get There?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Never Really Get There good for peak time?
With energy 82 out of 100 at 111 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 111 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More deep house
More from CRi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
