Waking Up From Anxious Dreams (Metamorphosis)
30s preview
- Key
- 8A · A minor
- BPM
- 166
- Half-time
- 83
- Open Key
- 1m
- Energy
- 99/100
- Pop
- 1/100
- Length
- 4:09
- Released
- 2019
- Genre
- Tribal
- Loudness
- -4.4 dB
- Dynamics
- 9.6 dB
- ISRC
- ES84B1900122
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Waking Up From Anxious Dreams (Metamorphosis) runs 166 BPM in A minor (8A), a very fast tribal record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 99% of Coyu's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 98% of Coyu's catalogue
- Brightness:
- brighter than 92% of Coyu's catalogue
- Energy:
- hotter than 84% of Coyu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Waking Up From Anxious Dreams (Metamorphosis) in?
Waking Up From Anxious Dreams (Metamorphosis) by Coyu is in A minor, or 8A on the Camelot wheel.
What BPM is Waking Up From Anxious Dreams (Metamorphosis)?
Waking Up From Anxious Dreams (Metamorphosis) runs at 166 BPM, a very fast track.
What mixes well with Waking Up From Anxious Dreams (Metamorphosis)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Waking Up From Anxious Dreams (Metamorphosis) good for peak time?
With energy 99 out of 100 at 166 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 166 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 156-176 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 166 — beatmatch without a big tempo pull.
More tribal
More from Coyu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 166 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
