The Coming Storm - Original Mix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:41
- Released
- 2007
- Album
- The Coming Storm
- Genre
- Techno
- Label
- Sino
- Loudness
- -9.1 dB
- Dynamics
- 11.4 dB
- ISRC
- HKC550700055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Coming Storm - Original Mixoriginal10A · 127
The Coming Storm - Original Mix is a peak-time tempo techno track in B minor (10A) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. Groovier than 99% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Christian Smith's catalogue
- Brightness:
- darker than 89% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is The Coming Storm - Original Mix in?
The Coming Storm - Original Mix by Christian Smith is in B minor, or 10A on the Camelot wheel.
What BPM is The Coming Storm - Original Mix?
The Coming Storm - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with The Coming Storm - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Coming Storm - Original Mix good for peak time?
With energy 78 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
