Mainframe - Steven Taylor (CA) Remix
- BPM
- 127
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2021
- Album
- The Remixes
- Genre
- Tech House
- Loudness
- -9.4 dB
- ISRC
- CARH11900138
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mainframeoriginal4A · 127
- Mainframe - Aguilar Remixremix8B · 126
- Mainframe - Classy Touch Remixremix9B · 127
- Mainframe - Dub Tiger Remixremix3A · 127
- Mainframe - James Hopkins & Cato Kane Remixremix11A · 127
- Mainframe - Leo Franco Remixremix11B · 128
Against the original (4A at 127 BPM), this version holds the same tempo and moves the key from 4A to 10A.
Mainframe - Steven Taylor (CA) Remix runs 127 BPM in B minor (10A), a peak-time tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Carlo Lio's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mainframe - Steven Taylor (CA) Remix in?
Mainframe - Steven Taylor (CA) Remix by Carlo Lio is in B minor, or 10A on the Camelot wheel.
What BPM is Mainframe - Steven Taylor (CA) Remix?
Mainframe - Steven Taylor (CA) Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Mainframe - Steven Taylor (CA) Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Mainframe - Steven Taylor (CA) Remix good for peak time?
With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
