Another Day by Chris Liebing cover art

Another Day

Chris Liebing

30s preview

Key
1A · A♭ minor
BPM
126
Open Key
6m
Energy
91/100
Pop
0/100
Length
12:11
Released
2021
Genre
Techno
Loudness
-7.6 dB
Dynamics
18.6 dB
ISRC
GBR8R2200022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in A♭ minor (1A), Another Day is a club-tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). More underground than 99% of Chris Liebing's catalogue.

Low end:
more treble-tilted than 99% of Chris Liebing's catalogue
Tempo:
slower than 81% of Chris Liebing's catalogue
Groove:
less groove-driven than 75% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood9Dark
Groove57
Acoustic0
Instrumental79
Live39
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
18%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
30%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is Another Day in?

Another Day by Chris Liebing is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Another Day?

Another Day runs at 126 BPM, a club-tempo track.

What mixes well with Another Day?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Another Day good for peak time?

With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#Track

More techno

More from Chris Liebing

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track