Calling Down a Curse by Regis cover art

Calling Down a Curse

Regis

30s preview

Key
12A · D♭ minor
BPM
126
Open Key
5m
Energy
89/100
Pop
1/100
Length
6:00
Released
2020
Genre
Techno
Loudness
-8.6 dB
Dynamics
10.3 dB
ISRC
GBE5X2100144

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Calling Down a Curse sits in D♭ minor (12A) at 126 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 90% of Regis's catalogue. For programming, treat it as a peak-time weapon.

Reach:
more underground than 76% of Regis's catalogue
Tempo:
slower than 75% of Regis's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood19Dark
Groove66
Acoustic0
Instrumental73
Live18
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Calling Down a Curse in?

Calling Down a Curse by Regis is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Calling Down a Curse?

Calling Down a Curse runs at 126 BPM, a club-tempo track.

What mixes well with Calling Down a Curse?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Calling Down a Curse good for peak time?

With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Regis

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track