Carry Me Away (feat. Emma Hewitt)
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 73/100
- Pop
- 26/100
- Length
- 8:19
- Released
- 2007
- Album
- Carry Me Away , Pt. 1
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 13.3 dB
- ISRC
- GBLNZ0600017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Carry Me Awayoriginal8B · 126
- Carry Me Away - Original Club Mixversion8B · 126
- Carry me awayoriginal8B · 126
- Carry Me Away - Micky Slim & Funkagenda Spank'd Mixoriginal10A · 126
At 126 BPM in C major (8B), Carry Me Away (feat. Emma Hewitt) is a club-tempo house production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2007 production that still circulates in sets. Calmer than 84% of Chris Lake's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Carry Me Away (feat. Emma Hewitt) in?
Carry Me Away (feat. Emma Hewitt) by Chris Lake is in C major, or 8B on the Camelot wheel.
What BPM is Carry Me Away (feat. Emma Hewitt)?
Carry Me Away (feat. Emma Hewitt) runs at 126 BPM, a club-tempo track.
What mixes well with Carry Me Away (feat. Emma Hewitt)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Carry Me Away (feat. Emma Hewitt) good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
