Still Busy
- BPM
- 127
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 4:44
- Released
- 2013
- Genre
- Electro
- Loudness
- -10.1 dB
- ISRC
- FR0NT1300360
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in D♭ major (3B), Still Busy is a peak-time tempo electro production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Busy P's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 85% of Busy P's catalogue
- Brightness:
- brighter than 80% of Busy P's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Still Busy in?
Still Busy by Busy P is in D♭ major, or 3B on the Camelot wheel.
What BPM is Still Busy?
Still Busy runs at 127 BPM, a peak-time tempo track.
What mixes well with Still Busy?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Still Busy good for peak time?
With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More electro
More from Busy P
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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