High Anxiety - Radio Edit
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 4:12
- Released
- 2012
- Album
- Get the Edge / High Anxiety
- Genre
- Trance
- Loudness
- -7.9 dB
- Dynamics
- 15.9 dB
- ISRC
- NLF711206064
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- High Anxiety - Original Mixoriginal11A · 140
Against the original (11A at 140 BPM), this version holds the same tempo and moves the key from 11A to 3A.
High Anxiety - Radio Edit: driving up-tempo trance, B♭ minor (3A), 140 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. Less groove-driven than 99% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is High Anxiety - Radio Edit in?
High Anxiety - Radio Edit by Bryan Kearney is in B♭ minor, or 3A on the Camelot wheel.
What BPM is High Anxiety - Radio Edit?
High Anxiety - Radio Edit runs at 140 BPM, a driving up-tempo track.
What mixes well with High Anxiety - Radio Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is High Anxiety - Radio Edit good for peak time?
With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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