Beg Your Pardon (Mix Cut)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 1/100
- Length
- 3:29
- Released
- 2017
- Album
- Who's Afraid Of 138?! (Mixed by Bryan Kearney & Chris Schweizer)
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 11.6 dB
- ISRC
- NLF711701309
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beg Your Pardonoriginal9B · 138
- Beg Your Pardonoriginal3B · 138
Beg Your Pardon (Mix Cut): driving up-tempo trance, B minor (10A), 140 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Calmer than 91% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 80% of Bryan Kearney's catalogue
- Reach:
- more underground than 76% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Beg Your Pardon (Mix Cut) in?
Beg Your Pardon (Mix Cut) by Bryan Kearney is in B minor, or 10A on the Camelot wheel.
What BPM is Beg Your Pardon (Mix Cut)?
Beg Your Pardon (Mix Cut) runs at 140 BPM, a driving up-tempo track.
What mixes well with Beg Your Pardon (Mix Cut)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Beg Your Pardon (Mix Cut) good for peak time?
With energy 91 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.