Hearing Voices
- Key
- 9B · G major
- BPM
- 171
- Half-time
- 86
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 1/100
- Length
- 6:32
- Released
- 2004
- Album
- Positive / Negative
- Genre
- Drum N Bass
- Loudness
- -3.0 dB
- ISRC
- GBYQY0400006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Hearing Voices sits in G major (9B) at 171 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2004 production that still circulates in sets. Brighter than 93% of Break's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 78% of Break's catalogue
- Energy:
- hotter than 77% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hearing Voices in?
Hearing Voices by Break is in G major, or 9B on the Camelot wheel.
What BPM is Hearing Voices?
Hearing Voices runs at 171 BPM.
What mixes well with Hearing Voices?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Hearing Voices good for peak time?
With energy 98 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 171 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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