Schaltzentrale (Remastered)
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 64/100
- Pop
- 4/100
- Length
- 8:27
- Released
- 2011
- Album
- Classic Collectors Box Part 2
- Genre
- Tech House
- Label
- Harthouse
- Loudness
- -8.5 dB
- Dynamics
- 11.8 dB
- ISRC
- DEKB72083392
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Schaltzentrale - Joker Remakeoriginal9B · 125
- Schaltzentraleoriginal3B · 125
- Schaltzentrale - Reblok Acid Remixremix10B · 125
- Schaltzentrale - Kasey Remixremix9B · 125
- Schaltzentrale - Mazel Source Remixremix4B · 125
- Schaltzentrale - Tim Engelhardt Nachtglanz Remixremix11B · 125
A club-tempo tech house cut, Schaltzentrale (Remastered) sits in D♭ major (3B) at 125 BPM. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue.
- Brightness:
- darker than 99% of Boris Brejcha's catalogue
- Reach:
- more underground than 87% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 82% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Schaltzentrale (Remastered) in?
Schaltzentrale (Remastered) by Boris Brejcha is in D♭ major, or 3B on the Camelot wheel.
What BPM is Schaltzentrale (Remastered)?
Schaltzentrale (Remastered) runs at 125 BPM, a club-tempo track.
What mixes well with Schaltzentrale (Remastered)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Schaltzentrale (Remastered) good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
