Learning Drums (Remastered)
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 5/100
- Length
- 7:43
- Released
- 2011
- Album
- Classic Collectors Box Part 2
- Genre
- Tech House
- Label
- Harthouse
- Loudness
- -9.9 dB
- Dynamics
- 10.5 dB
- ISRC
- DEKB72083388
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Learning Drumsoriginal3A · 125
Learning Drums (Remastered) runs 125 BPM in B♭ minor (3A), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 80% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Learning Drums (Remastered) in?
Learning Drums (Remastered) by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Learning Drums (Remastered)?
Learning Drums (Remastered) runs at 125 BPM, a club-tempo track.
What mixes well with Learning Drums (Remastered)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Learning Drums (Remastered) good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
