Waiting In Vain - Boddhi Satva Afrikinstrumental Mix
30s preview
- BPM
- 120
- Open Key
- 8d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 6:32
- Released
- 2018
- Album
- Waiting In Vain (Boddhi Satva Remix)
- Genre
- Deep House
- Loudness
- -11.7 dB
- Dynamics
- 10.6 dB
- ISRC
- FR10S1436596
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waiting In Vain - Boddhi Satva Afriki Bassless Mixoriginal3B · 120
- Waiting In Vain - Boddhi Satva Afriki Soul Remixremix3B · 120
Against the original (3B at 120 BPM), this version holds the same tempo in the same key.
At 120 BPM in D♭ major (3B), Waiting In Vain - Boddhi Satva Afrikinstrumental Mix is a club-tempo deep house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 98% of Boddhi Satva's catalogue
- Brightness:
- darker than 91% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Waiting In Vain - Boddhi Satva Afrikinstrumental Mix in?
Waiting In Vain - Boddhi Satva Afrikinstrumental Mix by Boddhi Satva is in D♭ major, or 3B on the Camelot wheel.
What BPM is Waiting In Vain - Boddhi Satva Afrikinstrumental Mix?
Waiting In Vain - Boddhi Satva Afrikinstrumental Mix runs at 120 BPM, a club-tempo track.
What mixes well with Waiting In Vain - Boddhi Satva Afrikinstrumental Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Waiting In Vain - Boddhi Satva Afrikinstrumental Mix good for peak time?
With energy 60 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.